Gallery / Галлерея: Famous painters / Знаменитые художники : Paintings / Живопись : Aubrey Beardsley


Painters / Художники : Paintings / Живопись : Graphic art / Графика : Aubrey Beardsley
Graphic art / Графика
Painters / Художники : Paintings / Живопись : Graphic art / Графика : Paper / Бумага : Aubrey Beardsley
Paper / Бумага
Painters / Художники : Paintings / Живопись : Graphic art / Графика : Batic / Батик : Aubrey Beardsley
Batic / Батик
Painters / Художники : Paintings / Живопись : Graphic art / Графика : Acryl / Акрил : Aubrey Beardsley
Acryl / Акрил
Painters / Художники : Paintings / Живопись : Graphic art / Графика : Water-colour / Акварель : Aubrey Beardsley
Water-colour / Акварель
Painters / Художники : Paintings / Живопись : Graphic art / Графика : Feather / Перо : Aubrey Beardsley
Feather / Перо
Painters / Художники : Paintings / Живопись : Graphic art / Графика : Сrayon / Карандаш : Aubrey Beardsley
Сrayon / Карандаш
Painters / Художники : Paintings / Живопись : Graphic art / Графика : Gouache / Гуашь : Aubrey Beardsley
Gouache / Гуашь

Paintings, graphic art / Живопись, графика


Famous artists / Знаменитые художники, Aubrey Beardsley



...Burne-Jones in turn attracted the veneration of Aubrey Beardsley, probably the most remarkable English illustrator of the industrial age. He too was a precocious talent: at the age of fifteen he had illustrated his favourite books (Madame Bovary, Manon Lescaut). By the time of his death at the age of twenty-six (he died of tuberculosis, in Menton, where he had gone in search of a favourable climate), he had made a lasting impact on the art of illustration. It was a field in which a number of outstanding artists were then working, including Walter Crane, co-founder with William Morris of the Arts and Crafts Exhibition Society. "It was through Burne-Jones that, in 1891, Beardsley, then aged eighteen, met Oscar Wilde. Wilde was writing his Salome in French (Arthur Douglas subsequently translated it into English), and asked Beardsley to illustrate it. "Beardsley's drawings are admirably suited to the technical possibilities of industrial reproduction. Ambitious and supremely gifted, the young artist developed a perverse and playfully theatrical style partly inspired by Greek vase painting. The venomous elegance of his drawings has an ornamental rhythm akin to the abstract decorations of Islamic palaces. For Salome, Beardsley ironically appropriated the decadent theme of the evil, emasculating woman. His characters are often grotesque - notably in drawings he later described as "naughty", representing, for example, grimacing "Gobbi" afflicted with monumentally tumescent phalluses. As a homosexual, Beardsley did not experience the anguish awoken in artists like Munch by the problematic state of relations between the sexes. Wilde described Beardsley's muse as having "moods of terrible laughter".


Painters / Художники : Paintings / Живопись : Graphic art / Графика : Aubrey Beardsley
Graphic art / Графика
Painters / Художники : Paintings / Живопись : Biography / Биография : Aubrey Beardsley
Biography / Биография
Painters / Художники : Paintings / Живопись : Exebitions / Выставки : Aubrey Beardsley
Exebitions / Выставки
Painters / Художники : Paintings / Живопись : Galleries / Галлереи : Aubrey Beardsley
Galleries / Галлереи
Painters / Художники : Paintings / Живопись : Bibliography / Библиография : Aubrey Beardsley
Bibliography / Библиография
Painters / Художники : Paintings / Живопись : Artworks / Работы : Aubrey Beardsley
Artworks / Работы



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